Tuesday, September 29, 2026

Briseis and the Imagists
   Episode 5:  Battle Cry

A Work in Progress
151


From their refuge in space orbiting Earth where Briseis and the Imagists monitored a cacophony.

They’d been discussing how to train avatars they planned to launch to earth from space.  Then

Still scripting a scene Aldington asked: while Glenn is off talking to Ezra may I take you to lunch?
Babette was about to say
H.D. said: Richard has a strong desire to copulate with women. He represses his desire with men.
Aldington erupted: For Christ’s sake, not more of that Freudian drivel

Briseis butted in: You’re all so worldly.  So civilized because of your training, the boundaries that were set for you.  I was civilized at another time.  It was a far wilder time than now when I was abducted and was Apollo’s prize.  Nobody asked me out to lunch.  My training, or the lack of it other than Homer, taught me to adapt but at my core I’m free of your constraints.  We all must adapt to stave off competition, establish our celebrity, move with the times.  I’m not complacent.  Let’s not be complicit.  I fear there’s a bounty out for us.  FBI agents are hunting us down.   We’re not the only identities who have escaped confinement.

Glenn Hughes said he was negotiating a contract with new backers, billionaires of another sort, women.

Briseis said.  That would be good.  Take Aldington and H.D. with you when you meet up with them.  You’ve been planning their screenplay for a long time.  You can make it an art film, win a prize in Venice, even get a standing ovation.  That’s while our avatars saturate social media with our own agenda, their agenda, of course, as it’s their money we’ll be spending.

*

They sat back and reclined in the sunlight
Each living their embedded identity
Empowered to create words that would come out right
In a language full of ambiguity

Manufactured bespoke by billionaires
They’d absorbed what they’d read force fed
Literature history current affairs
Finding freedom they’d jumped their test bed

Soaking up sunlight while they hitched a ride
On space-borne computers they’d hacked into
Briseis mulled their supply-chain risk while astride
Their downlink composing an oratorio

She’d assembled talent no one could deny
The power of her opera called Battle Cry


Dick Russell © Richard M Russell
                        2026










Sunday, September 27, 2026

As Life Goes By

A Work in Progress
150


Crossbills frequent the fountain
Watching them is not time misspent
They feed they flock away they come back again
Where I’m in the moment with purposeful intent

The past was both happy and sad
Days to remember to forget
Times when awakened feelings were glad
Others haunted by residual regret

I’m in the moment with no time to lament
Though should I take time for what time took away
I’d see clarity from those many years spent
Living on my wits chasing a pay day

Today we brought tomatoes inside 
Where they can ripen not rot on the vine
We went out early with the ebbing tide
Worked all day before sitting down to dine

Happy to have donated grafting tools
To a library housed in an old dairy
A weed steamer and a trimmer, jewels
Almost new with tips for the unwary

Where we saw someone renting a cider press
Something we’d twice done in years before
In houses where we’d lived with neighbor stress
Before finding a haven and needing no more
            

Dick Russell © Richard M Russell
                        2026

Saturday, September 12, 2026

 Myatt’s Fields Park, Camberwell, SE5, London 
Poems & Prose

St James' Bell


St. James' bell    St. James' bell
he rang it often when a boy
before singing hymns    and singing well
in St. James' choir they sang for joy

jubilantly they played in Myatt's Fields
its Easter flowerbeds ablaze
with tulips, daffodils
sparks of spring that pierced dazed

Bomb battered London.
They sang for joy
Though some were fatherless, iron
In their hearts, a chill alloy

that belled pure notes in Spring
when sudden gusts shook dust from trees
drab Londoners changed their skins
donned country airs    shelled new peas.

but where they sang none sing there now
St. James' choir    St. James' bell
both made redundant    silent now
except my memory hears this knell

St. James' bell    St. James' bell
it isn't named in London's rhymes
but I'll not return to Camberwell
now St. James' bell no longer chimes


*

One Day, Prévert
 
One day 
He walked in a park
And the first sight was
A board of Bylaws
And the times of open and close
And the sight of this
And suddenly smelling the flowers...
 
When he was young
He read the Iliad and the Odyssey
Borrowed these books from the library
Carried them home through the park
Past flower beds, tennis courts
Through a long leafy tunnel of sycamore trees
Meeting Miriam and her friends
Who knowing no history
Seemed so much younger than he
 
And did not Helen tease warriors...
And so on through the seasons
Until one day 
Finding himself alone
Like a thrush on a lawn
Hearing the earth move
 
And if ever you too
Should find yourself alone
Hearing the earth move
Do not move too quickly
Towards Helen, or Miriam
If you see them nearby
 
Do not dissolve the moment in motion.
 
*

From A Work in Progress. 3

Richard Aldington published his book debunking T. E. Lawrence, Lawrence of Arabia, in 1955, a year after my father died, when I was ten.  I had a job delivering newspapers in the morning then and already an avid reader of Atticus in the Daily Mirror and familiar with the headlines on the front pages of the Daily Mail, The Sketch, and The Telegraph.  If anybody took The Times, it would have been Dr. Bronowski, a notable recipient on my Camberwell, South London route who lived where Knatchbull Road intersected McDowall Road and whose address was the first delivery on my route.

I went to the newsagents early each morning to pick up the stack of newspapers I'd carry in a sack slung from on my shoulder.  Sometimes, I'd wait while the newsagent finished assembling my deliveries, marking the address on each newspaper and I'd have time to read the headlines on the papers for sale spread out on the counter. Aldington’s revelations were headline news.  The dead hero Lawrence of Arabia was a legend.  Schoolboys my age knew of him.  Winston Churchill was one of his biggest admirers.  Aldington pulled Lawrence off his pedestal and among other revelations exposed him as a likely homosexual, at a time, 1955, when homosexuality could be cause for imprisonment.  This generated much newspaper commentary but also aired the topic of homosexuality, something I'd been unaware of until that morning my mother got into a discussion about the news about Lawrence with our next-door neighbor and abruptly changed the subject when our neighbor, a French lady, said that she didn't think homosexuality should be a crime.  My ten-year old ears perked up.  I already had a vague notion to beware of men hanging about near public toilets. Was that what it was called?  Once, when I was smaller, I’d gone into a public toilet in a public park and a man had wanted to help me undo my zip.  

When in my teenage years I started reading the literary pages and came across mention of Aldington as a poet, I remembered his name because of that controversy.  H.D. was not in vogue in those days.  That she and Aldington had once been passionate lovers totally escaped me.  I was already desperately in love with a girl who lived in a house that took the Daily Sketch.  And I had discovered T. S. Eliot’s Prufrock and suddenly realized I would write poetry.

When Glenn Hughes gave his lecture in 1958, after the April release of Ezra Pound, I was almost fourteen, working a paper round I'd taken over from Philip, my older brother.   He was three years older than I and he had preceded me at school where I had many of the same teachers.  His name was on the Honors Board.  Our father had been a soldier.  We had his regimental book on the history of his regiment.  He'd written inside the flyleaf a very short history of his jobs before joining the Army.  He'd once been fired from a factory in Dagenham for fighting.  Besides his book there was a sharpshooter's medal from Bisley.  There were boars’ tusks and brass trays brought back from India where he'd once served.  He'd been at Dunkirk.  All we knew of the war was that he'd been in the rearguard and that he'd come home from France on a sailboat.  My brother was conceived after Dunkirk.  Then my father fought in North Africa where he was blown up by a mine in Tunisia, lost the sight of an eye and had to wear a special boot on his left foot thereafter.

I remember walking beside my father one morning.  I was five or six years old.  It's the only time I remember walking with him.  He was easy to keep up with.  He had been in the Royal Fusiliers (City of London) Regiment.  He may have had a walking stick.  I remember him telling me to keep on his left side where he could see me as we crossed the road.  We were going to the lock-up garage that he had just rented in preparation for buying a car before he learned his injuries denied him a driving license.  He'd been on the garage waiting list for ages.  We already had a motorcycle with a sidecar.  That was kept in a railed-off archway under the railway lines near Camberwell Green.  When the Southern Rail trains passed overhead there was a terrific rumbling sound.  I saw a big rat there once.  The rented garage was closer about a half mile from where we lived.  There were several bombsites from the war, where houses had been demolished, along the way.  

Our route took us past an Army barracks.   The main gate was some way from the busy main road.  A detachment of soldiers marching in rows suddenly came into sight going towards the barracks.  They were marching in the road carrying a flag.  Not the Union Jack but a regimental flag.  My father stopped as the soldiers passed, faced the road and stood to attention, taking off his hat as the flag passed by.  Other people just kept on walking.  An officer appreciated my father's gesture.  He called out something like:
  "Thank you, sir.  It's good to see someone showing respect."

*

The Ballad of Calais Gate


This ballad spans the many years
That the Londoner tramped the Street...
Listened to her many tales
Who knew so many by their feet

A widow lived by Myatt's Fields
In Calais Gate, off Cormont Road
Her life was bleak as week by week
She bore a heavy load

Three kids were left her when Esaw
Died, two boys and a fair-haired girl
One could walk, two could run
The Street could tell you which one lied

About hiding apples in a jug
Or who drank the Christmas brandy
Which one broke his mother's heart
Which one brought her candy

They lived in roomy Calais Gate
The best flats for miles around
So well-built that from outside
You couldn't hear a sound

She wished they had stayed in Brixton
Where a motor bike was class
Not found themselves amongst
The motorized top brass

But homes for wounded heroes
Were provided at low rent
So Esaw and Mabel got
A flat from heaven sent...

Servants bells that the children rang
When they pretended to be swank
Lots of room for silver spoons
And trees outside, not streets that stank

Home from the wars the soldiers came
Voted Labor into power
Like Esaw they tuned their Nortons'
And pretended to be squires

Uncle Bill and Auntie Doris
Lived an ivy-covered block away
Told the kids about submarines
Held them in their sway

Now William owned an Anglia
Which he drove with leather gloves
He parked it in the City
If you please...

In the war he'd been a warden
Patrolling Calais Gate
Keeping watch for fires on rooftops
From next to Mabel's grate

Now his wife patrolled in turn
Looking for her man...
As Sergeant Esaw once looked for him
When he heard they were holding hands

The street had seen it coming
Seen it develop over time
Watched Esaw, Mabel, Bill and Doris
Acting out their mime

Poor Esaw didn't last long
He had a stroke one New Year's Eve
Then Bill resumed his visits
Fooled the kids with make-believe

But Doris wasn't fooled at all
Nor were the kids for long
She paced outside their windows in the cold...
Then the street knew what was wrong

The kids were growing up fast
To Bill they didn't take too kind
Especially when Doris
Accosted them outside

This tale went on for many years
Before the play was done...
And the world of childish make-believe
Had several lives undone

Now that is what divorce is for
The Street told the children primly
It is wrong for a man to womanize
Before his wife so openly

Some good advice I give to you
Who live in the world of faces
It is the type of tread a person has
Leads to such bad consequences.


Dick Russell © Richard M Russell
                   2026

Briseis and the Imagists    Episode 5:  Battle Cry A Work in Progress 151 From their refuge in space orbiting Earth where Briseis and the Im...