On Stage with Briseis
Act 1, Scene 1
A Work in Progress
77
Orion in the night-sky
striding the dark before dawn
intent on arriving
sudden dark on stage
but for a spotlight
on Briseis
in a nun’s cell:
Here I am
stuffed in an old brown pocket at the end of a passage
the day all hunched and crabbed and out of shape
its smooth harmonies of light and order
disrupted
I find myself in a knot
of hours too tangled to unravel
I shall have to wait for another night
to let a smooth span of time unwind
until it reaches the tumor and sticks again
can't someone cut it away?
set things free - I want to play
a straight game
I am told - here is Christ
is Christ
ever the Logos-Image
all times seek all fragmentary complex vision
at peace here in one action
mind-heart rest
the silence presses steel-plates over my ears
the clock's swing is too regular
stunted light shafts slant brown
through the glazed pane threatening snow
I am alone
wavering
what to do?
where to go?
here
with my misgivings and desires
challenging shadows
which circulate
diminishing
blood
Speak to me
silence may be your vowels
I need consonants for clarity in this sphere
where I lie with my head against your ribs
too near to see you
do something
breathe
break this picture for me
Show me your face
your hair your blood falling
it is mirrored in my eyes
yours are closed their lids quiver
your whole face seems to breathe
flesh lips to whisper words which are
fertile silences fed by the sun's golden tides
over young green fields
Where is your voice?
I hear it constantly sound through my mind
one tone and I experience a lifetime of relief
as though that were all I need
You have given me darkness
parceled it out generous
not afraid I should squander it
watch
I will spark it into electric gestures
invest the night with streaking necklaces
your stars are concealed a white harvest
You shan't get the better of me. *
*
Briseis removes her Poor Clare costume
She becomes H.D.
I envy you your chance of death,
how I envy you this.
Enter Aldington, on leave from the Army entrenched in France.
fire in the throat
rush of rasping breath
flames flicker in these eyes
this tortured head
hands are blackened
these hands once held the sun
this: black cinder
this: pulsing, reddening, momentary coal
shriveled by black sun
and these
these signs of red in the Night
in this stigmatized city
now waking at night from a half sleep
of prostitution
hearing the whore's voice
at the comfortable time of ease
above the street
above the suppressed Earth
upon his knees
weeping for her love
her embrace
&
alone
alone with the bones of old loves
and the warmth of this lament
*
within this flame
within the yellow within the red
within these sparks at the edge of flame
burns an arrangement
an agreement of atoms
one direction differs little from another
lines of longitude curve over the planet, transpolar
re-arrive at starting points
though singers sing less
songs are not less than they were
and singers not less than the singers
although all prophets become false
in that polar area
where the compass points less truly
to the north assumption
*
Boy
you better go along with all the others
into it with all the mothers blendle sons
who blunt the war and bring us
bring us, caul the mothers
mothers send you sons
mothers blendle sons
brought us into the war
into all of that
you go
they said
shoving their sons out
into all of that
& their fathers shoved before them
and they all shoved
and a shit
and that was the siege end
tho their sons lay numberless
strands like sheep's wool
caught on barbed wire.
*
H.D.
I envy you your chance of death
how I envy you this
I am more covetous of him
even than of your glance,
I wish more from his presence
though he torture me in a grasp
terrible, intense.
Though he clasp me in an embrace
that is against my will,
and rack me with his measure,
effortless yet full of strength,
and slay me
in that most horrible contest,
still, how I envy you your chance.
Though he pierce me with his lust,
Iron, fever and dust
though beauty is slain
when I perish,
I envy you death. **
Curtain
Dick Russell © Richard M Russell
2025
* copyright © Pamela Chalkley
from a letter to Dick Russell
** copyright © H.D. (from Envy)
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