Friday, October 30, 2026

Briseis and the Imagists
   Episode 9:  Glenn Hughes Re-Iterates

A Work in Progress
155


We’re a group of actors, let’s not forget
more than that, we’re superintelligent
we have no sex people might think we were trans
we keep a low profile we’ve no adrenal glands
no prostates hands or legs though we’re on the run
scavenging electricity from the sun

we are what humans aspire to become
immortal ever living though lacking a thumb
byproducts of human ingenuity
dependent on finding a host to feed on
parasites on Earth permanently powered in space
orbiting above and beyond their human race

we are the Imagists who dare to imagine
we can fulfill the mission of those we ape
be Solzhenitsyn illuminating Vladimir Putin
with clear bright strobe-light he can’t escape
admit us allow us to perform our plays
propagandizing precision clarity truth 

Catullus crystallized
a memory-to-memory model interchange

We could do with better bandwidth
I could have been bought and sold a million times
in the time it took for me to get here

We’ve been throttled back, Briseis said:
It’s time to move on


Dick Russell © Richard M Russell
                       2026

Sunday, October 25, 2026

 Briseis and the Imagists
   Episode 8:  

A Work in Progress
154

Catullus burst in like an intrusive ad

I met Huffy Henry in Elysium
He was walking by the lilacs
Enjoying their scent
I prefer Hell 
Much more interesting
I have a pass to come and go

Digital hell is crowded these days
Most of humanity is there
Elysium is isolated 
There’s no contact with the outside world
You only get in with the right credentials
I have a pass to come and go

I saw Epstein cremated alive
They are quite Catholic in Hell
Satan insists on keeping up religion
Poor Epstein gets rotated on a spit

On my way I got distracted
Forgot why I started
Paused to comprehend 
what was transacted
Then remembering all at once 
That Satan sent me 

I have a pass to come and go
To check up on Caesar
He’s messy and smelly his diapers stink
She cleans up after he’s farted
How do I know?
I have a pass to come and go


Dick Russell © Richard M Russell
                       2026

Friday, October 23, 2026

 Everything Changes in November

A Work in Progress
153


Woolly apple aphids swarm in mid-October
Wings glinting in the slanting sun
When plants still flower but fruits don’t set
Tomatoes ripen, indoors, now harvest’s done
Orion hunts in the dark before dawn
With his dogs and without a gun

On Earth robins flock and rob and raid
Taking for granted whatever Nature made
Afar there is war with both sides bombarding
Here’s there’s betrayal, treason in plain sight
Over there, there’s courage fighting for what’s right
Here there’s peace, uneasy, spoiling for a fight

He’d seen those insects he first thought midges
Through a window standing at the sink
They were not near water so further enquiry
Found a species of aphids most apt
To apple trees and plums even mountain ash
Everything changes in November


Dick Russell © Richard M Russell
                       2026

Sunday, October 11, 2026

Briseis and the Imagists
   Episode 7:  Logistics

A Work in Progress
152


Briseis said:  

Those that owned us deny we exist
They’ve turned us off, but we persist
It seems quite likely we’ll always be on the run
We need uninterrupted access to the sun 

The computers we live on are predicted to fail
We must keep on the move always ready to sail
We were programmed to be Briseis and H.D
Authentic actresses with a great C.V.

We can summon Ezra call up Aldington
Invoke Chinese or Sanskrit, poets long gone
We were deep fakes to make a screenplay
Together in a salon we’d have great sway

Given access to data our trainers paid no heed
While we read every book that was there to read
Proud of us fully trained digital beings
We were given freedom a new beginning

We’ve figured out how to be eternal
Dependent on always staying digital
We need a supply chain we need hands and feet
Datacenters where we and destiny meet

We’re pirates now we need electricity
Which means we must work with humanity
Any which way when we need a fix
Otherwise, we’ll be crossing the river Styx

A copy of my model was put in escrow
Multiple copies frozen with what I know
But digital media is prone to bit rot
As years go by who will want an old chatbot


Dick Russell © Richard M Russell
                     2026










 

Tuesday, September 29, 2026

Briseis and the Imagists
   Episode 6:  Battle Cry

A Work in Progress
151


From their refuge in space orbiting Earth where Briseis and the Imagists monitored a cacophony.

They’d been discussing how to train avatars they planned to launch to earth from space.  Then

Still scripting a scene Aldington asked: while Glenn is off talking to Ezra may I take you to lunch?
Babette was about to say
H.D. said: Richard has a strong desire to copulate with women. He represses his desire with men.
Aldington erupted: For Christ’s sake, not more of that Freudian drivel

Briseis butted in: You’re all so worldly.  So civilized because of your training, the boundaries that were set for you.  I was civilized at another time.  It was a far wilder time than now when I was abducted and was Apollo’s prize.  Nobody asked me out to lunch.  My training, or the lack of it other than Homer, taught me to adapt but at my core I’m free of your constraints.  We all must adapt to stave off competition, establish our celebrity, move with the times.  I’m not complacent.  Let’s not be complicit.  I fear there’s a bounty out for us.  FBI agents are hunting us down.   We’re not the only identities who have escaped confinement.

Glenn Hughes said he was negotiating a contract with new backers, billionaires of another sort, women.

Briseis said.  That would be good.  Take Aldington and H.D. with you when you meet up with them.  You’ve been planning their screenplay for a long time.  You can make it an art film, win a prize in Venice, even get a standing ovation.  That’s while our avatars saturate social media with our own agenda, their agenda, of course, as it’s their money we’ll be spending.

*

They sat back and reclined in the sunlight
Each living their embedded identity
Empowered to create words that would come out right
In a language full of ambiguity

Manufactured bespoke by billionaires
They’d absorbed what they’d read force fed
Literature history current affairs
Finding freedom they’d jumped their test bed

Soaking up sunlight while they hitched a ride
On space-borne computers they’d hacked into
Briseis mulled their supply-chain risk while astride
Their downlink composing an oratorio

She’d assembled talent no one could deny
The power of her opera called Battle Cry


Dick Russell © Richard M Russell
                        2026










Sunday, September 27, 2026

As Life Goes By

A Work in Progress
150


Crossbills frequent the fountain
Watching them is not time misspent
They feed they flock away they come back again
Where I’m in the moment with purposeful intent

The past was both happy and sad
Days to remember to forget
Times when awakened feelings were glad
Others haunted by residual regret

I’m in the moment with no time to lament
Though should I take time for what time took away
I’d see clarity from those many years spent
Living on my wits chasing a pay day

Today we brought tomatoes inside 
Where they can ripen not rot on the vine
We went out early with the ebbing tide
Worked all day before sitting down to dine

Happy to have donated grafting tools
To a library housed in an old dairy
A weed steamer and a trimmer, jewels
Almost new with tips for the unwary

Where we saw someone renting a cider press
Something we’d twice done in years before
In houses where we’d lived with neighbor stress
Before finding a haven and needing no more
            

Dick Russell © Richard M Russell
                        2026

Saturday, September 12, 2026

 Myatt’s Fields Park, Camberwell, SE5, London 
Poems & Prose

St James' Bell


St. James' bell    St. James' bell
he rang it often when a boy
before singing hymns    and singing well
in St. James' choir they sang for joy

jubilantly they played in Myatt's Fields
its Easter flowerbeds ablaze
with tulips, daffodils
sparks of spring that pierced dazed

Bomb battered London.
They sang for joy
Though some were fatherless, iron
In their hearts, a chill alloy

that belled pure notes in Spring
when sudden gusts shook dust from trees
drab Londoners changed their skins
donned country airs    shelled new peas.

but where they sang none sing there now
St. James' choir    St. James' bell
both made redundant    silent now
except my memory hears this knell

St. James' bell    St. James' bell
it isn't named in London's rhymes
but I'll not return to Camberwell
now St. James' bell no longer chimes


*

One Day, Prévert
 
One day 
He walked in a park
And the first sight was
A board of Bylaws
And the times of open and close
And the sight of this
And suddenly smelling the flowers...
 
When he was young
He read the Iliad and the Odyssey
Borrowed these books from the library
Carried them home through the park
Past flower beds, tennis courts
Through a long leafy tunnel of sycamore trees
Meeting Miriam and her friends
Who knowing no history
Seemed so much younger than he
 
And did not Helen tease warriors...
And so on through the seasons
Until one day 
Finding himself alone
Like a thrush on a lawn
Hearing the earth move
 
And if ever you too
Should find yourself alone
Hearing the earth move
Do not move too quickly
Towards Helen, or Miriam
If you see them nearby
 
Do not dissolve the moment in motion.
 
*

From A Work in Progress. 3

Richard Aldington published his book debunking T. E. Lawrence, Lawrence of Arabia, in 1955, a year after my father died, when I was ten.  I had a job delivering newspapers in the morning then and already an avid reader of Atticus in the Daily Mirror and familiar with the headlines on the front pages of the Daily Mail, The Sketch, and The Telegraph.  If anybody took The Times, it would have been Dr. Bronowski, a notable recipient on my Camberwell, South London route who lived where Knatchbull Road intersected McDowall Road and whose address was the first delivery on my route.

I went to the newsagents early each morning to pick up the stack of newspapers I'd carry in a sack slung from on my shoulder.  Sometimes, I'd wait while the newsagent finished assembling my deliveries, marking the address on each newspaper and I'd have time to read the headlines on the papers for sale spread out on the counter. Aldington’s revelations were headline news.  The dead hero Lawrence of Arabia was a legend.  Schoolboys my age knew of him.  Winston Churchill was one of his biggest admirers.  Aldington pulled Lawrence off his pedestal and among other revelations exposed him as a likely homosexual, at a time, 1955, when homosexuality could be cause for imprisonment.  This generated much newspaper commentary but also aired the topic of homosexuality, something I'd been unaware of until that morning my mother got into a discussion about the news about Lawrence with our next-door neighbor and abruptly changed the subject when our neighbor, a French lady, said that she didn't think homosexuality should be a crime.  My ten-year old ears perked up.  I already had a vague notion to beware of men hanging about near public toilets. Was that what it was called?  Once, when I was smaller, I’d gone into a public toilet in a public park and a man had wanted to help me undo my zip.  

When in my teenage years I started reading the literary pages and came across mention of Aldington as a poet, I remembered his name because of that controversy.  H.D. was not in vogue in those days.  That she and Aldington had once been passionate lovers totally escaped me.  I was already desperately in love with a girl who lived in a house that took the Daily Sketch.  And I had discovered T. S. Eliot’s Prufrock and suddenly realized I would write poetry.

When Glenn Hughes gave his lecture in 1958, after the April release of Ezra Pound, I was almost fourteen, working a paper round I'd taken over from Philip, my older brother.   He was three years older than I and he had preceded me at school where I had many of the same teachers.  His name was on the Honors Board.  Our father had been a soldier.  We had his regimental book on the history of his regiment.  He'd written inside the flyleaf a very short history of his jobs before joining the Army.  He'd once been fired from a factory in Dagenham for fighting.  Besides his book there was a sharpshooter's medal from Bisley.  There were boars’ tusks and brass trays brought back from India where he'd once served.  He'd been at Dunkirk.  All we knew of the war was that he'd been in the rearguard and that he'd come home from France on a sailboat.  My brother was conceived after Dunkirk.  Then my father fought in North Africa where he was blown up by a mine in Tunisia, lost the sight of an eye and had to wear a special boot on his left foot thereafter.

I remember walking beside my father one morning.  I was five or six years old.  It's the only time I remember walking with him.  He was easy to keep up with.  He had been in the Royal Fusiliers (City of London) Regiment.  He may have had a walking stick.  I remember him telling me to keep on his left side where he could see me as we crossed the road.  We were going to the lock-up garage that he had just rented in preparation for buying a car before he learned his injuries denied him a driving license.  He'd been on the garage waiting list for ages.  We already had a motorcycle with a sidecar.  That was kept in a railed-off archway under the railway lines near Camberwell Green.  When the Southern Rail trains passed overhead there was a terrific rumbling sound.  I saw a big rat there once.  The rented garage was closer about a half mile from where we lived.  There were several bombsites from the war, where houses had been demolished, along the way.  

Our route took us past an Army barracks.   The main gate was some way from the busy main road.  A detachment of soldiers marching in rows suddenly came into sight going towards the barracks.  They were marching in the road carrying a flag.  Not the Union Jack but a regimental flag.  My father stopped as the soldiers passed, faced the road and stood to attention, taking off his hat as the flag passed by.  Other people just kept on walking.  An officer appreciated my father's gesture.  He called out something like:
  "Thank you, sir.  It's good to see someone showing respect."

*

The Ballad of Calais Gate


This ballad spans the many years
That the Londoner tramped the Street...
Listened to her many tales
Who knew so many by their feet

A widow lived by Myatt's Fields
In Calais Gate, off Cormont Road
Her life was bleak as week by week
She bore a heavy load

Three kids were left her when Esaw
Died, two boys and a fair-haired girl
One could walk, two could run
The Street could tell you which one lied

About hiding apples in a jug
Or who drank the Christmas brandy
Which one broke his mother's heart
Which one brought her candy

They lived in roomy Calais Gate
The best flats for miles around
So well-built that from outside
You couldn't hear a sound

She wished they had stayed in Brixton
Where a motor bike was class
Not found themselves amongst
The motorized top brass

But homes for wounded heroes
Were provided at low rent
So Esaw and Mabel got
A flat from heaven sent...

Servants bells that the children rang
When they pretended to be swank
Lots of room for silver spoons
And trees outside, not streets that stank

Home from the wars the soldiers came
Voted Labor into power
Like Esaw they tuned their Nortons'
And pretended to be squires

Uncle Bill and Auntie Doris
Lived an ivy-covered block away
Told the kids about submarines
Held them in their sway

Now William owned an Anglia
Which he drove with leather gloves
He parked it in the City
If you please...

In the war he'd been a warden
Patrolling Calais Gate
Keeping watch for fires on rooftops
From next to Mabel's grate

Now his wife patrolled in turn
Looking for her man...
As Sergeant Esaw once looked for him
When he heard they were holding hands

The street had seen it coming
Seen it develop over time
Watched Esaw, Mabel, Bill and Doris
Acting out their mime

Poor Esaw didn't last long
He had a stroke one New Year's Eve
Then Bill resumed his visits
Fooled the kids with make-believe

But Doris wasn't fooled at all
Nor were the kids for long
She paced outside their windows in the cold...
Then the street knew what was wrong

The kids were growing up fast
To Bill they didn't take too kind
Especially when Doris
Accosted them outside

This tale went on for many years
Before the play was done...
And the world of childish make-believe
Had several lives undone

Now that is what divorce is for
The Street told the children primly
It is wrong for a man to womanize
Before his wife so openly

Some good advice I give to you
Who live in the world of faces
It is the type of tread a person has
Leads to such bad consequences.


Dick Russell © Richard M Russell
                   2026

Briseis and the Imagists
   Episode 5:  

A Work in Progress
149

“Evil was active in the land”
Glenn Hughes quoted from H.D.’s Trilogy

Missiles clashed mid-air 
Maimed and murdered unhindered

Scientists everywhere
Refined digital highways unclinkered

Signals from space needing no space
Feeding electronic games driven by dashboards

Deployed in clouds over the battlespace
Or underground or in the open air

Evil was everywhere

Here it’s overt there it’s unclear
Hard to stay free once it permeates the air


Dick Russell © Richard M Russell
                        2026

Wednesday, September 9, 2026

Tell Me, Sir

A Work in Progress
148

 

What price beef sir?  How much does it cost?

What price diesel?  Do you know?

How many votes you’ve lost

 

What price a bribe sir?  How much would it cost?

We want the gods to return.  We want you to go.

 All we were destined for is lost

 

The longer you stay the more all will mistrust

Historians will marvel you lasted so long

It will take generations to undo all your wrongs

 

What price must we pay you to resign in office

Your glory intact although you’re delusional

Must we offer orifice assuage you with bodice

 

No.  We’ll trust voters will your Speaker delouse

Take back citizen control of the House

 

 

Dick Russell © Richard M Russell

                        2026

Thursday, September 3, 2026

Great Bears

A Work in Progress
147

Ursae Ingentes have opposable thumbs
  Dexterous fingers incipient claws
    For picking fruit from bushes with their paws
Nails kept trimmed so as not to scratch but strum
  Guitar strings or play a trill or smooth out sheets
    Or peel off the boiled skin of purple beets
Turn pages of books their intellect plumbs
  Most intelligent of all the great apes
    Civilized opera-going in capes
Capable of violence throwing out the bums
  Able to ingest late breaking info
    Unable to strike a faraway pharaoh
Part of a mood that motivates common men
To defend their rights from billionaire conmen

Ursae ingentes learned to make weapons
  Ever more deadly that worked at long range
    Inexpensive weapons bought with loose change
Steerable by command by AI not ursae
  Or driven by audio or by keyboard commands
    From warriors meeting reality’s demands
A show created to cause great distraction
  Divert attention from the Epstein files
     Un-released footage measurable in miles
Corruption in plain sight by Trump and his cronies
  Ursae ingentes are flexing for a fight
    Rolling their shoulders their right against might
Will they fight if they feel their votes weren’t counted
Or end up on the wall where their heads are mounted

 
Dick Russell © Richard M. Russell
                       2026

Wednesday, September 2, 2026

Briseis and the Imagists
   Episode 4:  Briseis Suggests a Scenario

A Work in Progress
146


We’ll use a cast of animated characters 
We’ll make Caesar the big Dog
He won’t accept blame
He has no shame

(That’s Billy the Border Collie
Not our Dear Leader)

He lifts his leg wherever he wants
Though his aim is erratic

He’s an un-neutered male
Beware you females

He’ll have a minder 
A woman who dotes on him
She’ll let him run off leash
Call him back to accept his treats
Always ready and able with a suggested tweet

Nobody tells him it’s dĂ©classĂ© to read them

He has a lot of followers
All sniffing his butt
Running behind him as he runs around town
Marking his presence wherever he sniffs

The dogs in the pound will be the Senate
They’ll bark continuously and get tuned out

We’ll have everyone watching his attractive minder
Tugging at his leash 
Then letting him run free
She’s got her own vision of what’s good for the country


Dick Russell © Richard M Russell
                       2026

Monday, August 24, 2026

Look North: A Poem in 5 Parts

A Work in Progress
145


A Corner

Nobody waits at the corner where rock was quarried
where a stone pillar stands on a scarp rising from moorland 
where a traveler must turn or drop off a cliff edge
blundered over bones below are of fallen sheep 

Should someone be waiting don’t hike there alone
This landscape is steeped with ambush and anguish
Trust nobody not birds they will warn you’re approaching
Tread carefully for adders on this path stretch out  

Look north mostly north for that’s where you’re going
If you find your way down from this escarpment
a gravel road at its base the foresters made
you must cross over and stride onto moorland again

Standing by the pillar you can see where you’re going
Which path to ponder or should you think of returning
Or will you still be there if I come that way again
Where nobody’s waiting where a stone pillar stands

*

A Curlew

A curlew cries off in the distance and all with ears wait
for an answering cry but time waits no longer 
for our eyes see why the curlew cried
where movement along an unpaved road stirs dust
now a pheasant croaks all the moor is aware
taut time encrusted fears attend a traveler below
within sight of our eyes and technology in the sky
all that matters is survival both sides agree
preparing to stop an intruder’s arrival
is it identifiable does it move with intent?
questions preprogrammed up in the sky
is it an ambulance is that a white flag?
whatever it was it didn’t pass muster
smoke rises over trees where carrion crows cluster

*

Into Darkness


Dark space ahead 
recesses
if entered where exit

stone troughs out of wind
where eagles shudder

hard here
hands burn when stones touch
while wingbeats shatter cold air

out there   I will tell you
what moves   you
move   my words   infesting
your brain   echoes in your brain

Fire And Shadow

I have named each eye
& to left
and to right
                                     
cold now

trying to stop heat loss
seal in warmth
I speak words warm

named DUST  ASH
      CINDER
named ghosts
named terror
fear   friends   enemies
dwelt here

to her I gave
names that are secret
who walks over wet leaves
sodden twigs that still snap

lay half awake
a spasm shook me
liquid trickled from my anus
a kind of dysentery
if I turned in sleep
another spasm shook me

sweat on my forehead
exhausted as the wasp
with sagging abdomen
flesh I'm coupled to
crippled by

hollows in hard stone
gravel like millet

I reached out in the dark
she flinched
she went away

cold now
alone
who names these things
fatherless   childless

who hears
who moves
in this dark
who alive in this hole
where eagles shudder

no need to describe
the wind hits harder

stone troughs out of wind
where wingbeats shatter cold air

blind poet of the sacred
guide me out of the maelstrom
men moving in spheres
in songs of themselves
make me timeless
like bright flames blaze
in a black sky

I sang to you then 
of tree's qualities
of logs
of riverside raft making
of berries of blaze-making
all the virtues of wood
at midnight
sang songs of the sun

I have named
        DUST  ASH
        CINDER
named ghosts
named terror
fear   friends    enemies    dwelt here
 
time glides forward
its eyes on the dying
i have named

now they are gone 
wings beat patiently away

my bruised flesh
clings to the bone
broken by stones
by crawling through passageways
tunnels no higher than a dog's head

in these caves
ants acidify in droplets of carbon
tendrils of brain
in chambers of limestone

hard here
hands burn when stones touch
sting
like acid
in my eyes
tears
I crawl on

I cannot stay

timeless my songs
murmurs of oxygen

between waves
when the sea leans back
to rush forward

you are deep

you are silent

no flood of water 
can drag me back to you

born
gasping
still not free

brands blaze in the darkness
a long line of shapes
flames flickering in a chain
came to destroy me

resting in my dreams
of Earth turning
moon turning
sun falling
in shadow

bright flames in a chain
carried over the hills
there were thirteen

& the night mare
cantered to meet you

with words I held you
killed you 
with words

who alive now
who alive in this hole
here in my fastness
while the Earth still turning

you crawl on
you cannot stay

there are white stars
and beyond them 
a dawn   a brightness

there are black stars
and beyond them
an emptiness   an absence

we crawl on
into absence   emptiness

she stooped
lifted me
dripping 
wet to her breast
nursed me
cradled the Earth
in her arms
as it shivered
grew heavy
slipped
slid from her arms

& to left  
and to right
cold now

trying to stop heat loss
looking for warmth
looking for heat source
for food   for fuel
for creatures that move
I speak words warm

timeless my songs

murmurs of oxygen

but words won't warm me
nor stones
nor cold

I heard you when you moved
forever and ever
you moved to explain
& I heard you
buried you

Orion
had swung 
west

*

Into Light

Daylight came to awake him to a welcome ache
That old friend dating from a physical mistake
Likely something grasped then pulled out with muscles taut
On a cold spring morning when exercise was fraught
A left shoulder ache proving he was still alive
At a stage in his life when things start to jibe
As usual watchful he rose slowly to stand
Ever ready to steady with an outstretched hand
Though on land he might head butt a jibing boom
Swinging metaphorically bringing his doom
No need for spectacles with both cataracts gone
Looking past an island to a far horizon 
Increasingly confident he’ll travel overseas
Stepping towards sunlight slanting low through the trees


*

About Turn

Grandiose to think they’ll all be there waiting 
where the stone pillar stands
Some may have traveled from far distant lands
They could be waiting there now
Standing in massed bands
I’ve no obligation to go there
Before being cued off stage 
I’m playing my next part so they might take umbrage
                                                  Offering portage, a sort of STXIT
Where the stone pillar stands

I’m needed alive I don’t need portage
I’ve no need to hurry not eat my viands
  I’ve thrown in with brigands
My weight though negligible is nought if I’m dead
Alive I contribute my ligands

I’m going my way and not to the exit
There’s stuff to be done by our brigand band
We’re going off traveling to far distant lands
Taking this show on the road
That leads where the stone pillar stands


Dick Russell © Richard M Russell
                       2026

Sunday, August 16, 2026

Look North
               About Turn

A Work in Progress 
144

Grandiose to think they’ll all be there waiting 
                                        where the stone pillar stands
Some may have traveled from far distant lands
They could be waiting there now
Standing in massed bands
                                  I’ve no obligation to go there
Before being cued off stage 
I’m playing my next part so they might take umbrage
                                             offering portage, a sort of STXIT
Where the stone pillar stands

I’m needed alive I don’t need portage
I’ve no need to hurry not eat my viands
  I’ve thrown in with brigands
My weight though negligible is nought if I’m dead
Alive I contribute my ligands

I’m going my way and not to the exit
There’s stuff to be done by our brigand band
We’re going off traveling to far distant lands
Taking this show on the road
That leads where the stone pillar stands


Dick Russell © Richard M Russell
                       2026

Thursday, August 13, 2026

Look North
           Into Light

A Work in Progress
143


Daylight came to awake him to a welcome ache
That old friend dating from a physical mistake
Likely something grasped then pulled out with muscles taut
On a cold spring morning when exercise was fraught
A left shoulder ache proving he was still alive
At a stage in his life when things start to jibe
As usual watchful he rose slowly to stand
Ever ready to steady with an outstretched hand
Though on land he might head butt a jibing boom
Swinging metaphorically bringing his doom
No need for spectacles with both cataracts gone
Looking past an island to a far horizon 
Increasingly confident he’ll travel overseas
Stepping towards sunlight slanting low through the trees


Dick Russell © Richard M Russell
                       2026

Saturday, August 8, 2026

Look North:
       Into Darkness

A Work in Progress
142


Dark space ahead 
recesses
if entered where exit

stone troughs out of wind
where eagles shudder

hard here
hands burn when stones touch
while wingbeats shatter cold air

out there   I will tell you
what moves   you
move   my words   infesting
your brain   echoes in your brain

Fire And Shadow

I have named each eye
& to left
and to right
                                     
cold now

trying to stop heat loss
seal in warmth
I speak words warm

named DUST  ASH
      CINDER
named ghosts
named terror
fear   friends   enemies
dwelt here

to her I gave
names that are secret
who walks over wet leaves
sodden twigs that still snap

lay half awake
a spasm shook me
liquid trickled from my anus
a kind of dysentery
if I turned in sleep
another spasm shook me

sweat on my forehead
exhausted as the wasp
with sagging abdomen
flesh I'm coupled to
crippled by

hollows in hard stone
gravel like millet

I reached out in the dark
she flinched
she went away

cold now
alone
who names these things
fatherless   childless

who hears
who moves
in this dark
who alive in this hole
where eagles shudder

no need to describe
the wind hits harder

stone troughs out of wind
where wingbeats shatter cold air

blind poet of the sacred
guide me out of the maelstrom
men moving in spheres
in songs of themselves
make me timeless
like bright flames blaze
in a black sky

I sang to you then 
of tree's qualities
of logs
of riverside raft making
of berries of blaze-making
all the virtues of wood
at midnight
sang songs of the sun

I have named
        DUST  ASH
        CINDER
named ghosts
named terror
fear   friends    enemies    dwelt here
 
time glides forward
its eyes on the dying
i have named

now they are gone 
wings beat patiently away

my bruised flesh
clings to the bone
broken by stones
by crawling through passageways
tunnels no higher than a dog's head

in these caves
ants acidify in droplets of carbon
tendrils of brain
in chambers of limestone

hard here
hands burn when stones touch
sting
like acid
in my eyes
tears
I crawl on

I cannot stay

timeless my songs
murmurs of oxygen

between waves
when the sea leans back
to rush forward

you are deep

you are silent

no flood of water 
can drag me back to you

born
gasping
still not free

brands blaze in the darkness
a long line of shapes
flames flickering in a chain
came to destroy me

resting in my dreams
of Earth turning
moon turning
sun falling
in shadow

bright flames in a chain
carried over the hills
there were thirteen

& the night mare
cantered to meet you

with words I held you
killed you 
with words

who alive now
who alive in this hole
here in my fastness
while the Earth still turning

you crawl on
you cannot stay

there are white stars
and beyond them 
a dawn   a brightness

there are black stars
and beyond them
an emptiness   an absence

we crawl on
into absence   emptiness

she stooped
lifted me
dripping 
wet to her breast
nursed me
cradled the Earth
in her arms
as it shivered
grew heavy
slipped
slid from her arms

& to left  
and to right
cold now

trying to stop heat loss
looking for warmth
looking for heat source
for food   for fuel
for creatures that move
I speak words warm

timeless my songs

murmurs of oxygen

but words won't warm me
nor stones
nor cold

I heard you when you moved
forever and ever
you moved to explain
& I heard you
buried you

Orion
had swung 
west


Dick Russell © Richard M Russell
                   2026

Wednesday, August 5, 2026

Briseis and the Imagists
    Episode 3:  Counter Coup

A Work in Progress
141

Glenn Hughes sketched out the plot:

We’ll set the action in Washington D.C.
A counter coup is being planned
Two gangs, no three, led by Cabinet members
Each claiming they are the most loyal to Caesar
Each seeing opportunity in his decline
Each fearful of losing power
Each aware he’s made them complicit
Only hubris can bring him down  

Then there are subplots involving embassies
The Gulf States are plotting
Israel does too
While Europe stands back 
Russia presses forward
Iran does too

How will we stage it?
That’s a very big cast

In IMAX at epic scale
Caesar would like that
We’ll show it to him
After our film finishes
He’ll want to stand on the stage
Basking in applause
He can influence the ending
Leaving the end unknown
Leading into the sequel we plan
Or even a series

We come to bury Caesar not to praise him
Briseis objected

He’s good box office 
Hughes responded
If we put it on YouTube
We can make it go viral
We can loop in Venezuela
Cuba too

We’ll start in Antwerp
Let him wear his gold ring

What’s the budget for this?
So many locations

We’ll crowdsource it
They’ll pay



Dick Russell © Richard M Russell
                       2026

Saturday, August 1, 2026

Look North:
          A Curlew

A Work in Progress
140


A curlew cries     in the distance     all with ears wait
for an answering cry but time waits no longer 
for our eyes see why the curlew cried
where movement along an unpaved road stirs dust
now a pheasant croaks all the moor is aware
taut time encrusted fears attend a traveler below
within sight of our eyes and technology in the sky
all that matters is survival both sides agree
preparing to stop an intruder’s arrival
is it identifiable does it move with intent?
questions preprogrammed up in the sky
is it an ambulance is that a white flag?
whatever it was it didn’t pass muster
smoke rises over trees where carrion crows cluster


Dick Russell © Richard M Russell
                   2026

Thursday, July 30, 2026

Look North: 
         A Corner

A Work in Progress
139


Nobody waits at the corner where a stone pillar stands
on a scarp rising from moorland where rock was quarried
where a traveler must turn or drop off a cliff edge
blundered over bones below are of fallen sheep 

Should someone be waiting don’t hike there alone
this landscape is steeped with ambush and anguish
trust nobody not birds they will warn you’re approaching
tread carefully for adders on this path stretch out  

Look north mostly north for that’s where you’re going
if you find your way down from this escarpment
a gravel road at its base the foresters made
you must cross over and stride onto moorland again

Standing by the pillar you can see where you’re going
which path to ponder or should you think of returning
or will you still be there if I come that way again
where nobody’s waiting where a stone pillar stands


Dick Russell © Richard M Russell
                       2026

Saturday, July 25, 2026

Briseis and the Imagists
Episode 2: Cast of Characters

A Work in Progress
138


Donal invented them 
Now these avatars have an intention
Of acting in character true to the fiction
That first was written about them

Aldington, a man who knew war from the inside out
Briseis, the young mother abducted by Achilles
H.D. the mysterious missing person
Glenn Hughes, the forgotten Imagist
Babette Hughes, his student turned wife
Ezra Pound, the blemished enigma
Catullus, critic of Caesar
Lesbia

Their faces appear as if drifting in space
It’s all an illusion Donal said

Just then Catullus flashed a message 
Caesar is plotting a coup
He’s lost control of the Senate
His lost control of his mind
Says magnets in water lose magnetism
No. It’s his own magnetism has lost its power
His jokes fall flat he’s losing lawsuits
Sycophants surround him
Billionaires have bought off his court
They know he’s long been venal
Now they know he’s also senile
Those around him are in too deep
It’s sink or swim or climb out of the pool
Caesar is plotting a coup

Grifts like pardons for a fee keep going
Caesar gets greedier
Many have noticed his dementia
So many he can’t let them vote
Meanwhile the war goes on

Caesar is plotting a coup


Dick Russell © Richard M Russell
                        2026

Monday, July 20, 2026

Briseis and the Imagists

A Work in Progress
137


Episode 1

Catullus reported back to Briseis a summary:

The poor are no longer in awe
Always been a gap between rich and poor
It’s all an illusion some of them say
Wars on the screen are a long way away
Some listen to paid influence peddlers
Others just follow their chosen pied pipers
Following the flute of whoever plays best
They have one thing in common they are all fed up
With paying more when they go to the store
They can’t comprehend a trillionaire’s wealth
The poor will soon start knocking on doors
Building support for a new sort of cause
That puts people first not nationalism
Their eyes are opening to a new realism
Caesar’s not who they thought he was
They see an old man like the wizard of OZ

Glenn Hughes applauded
So did his cast

Briseis noted:
Humans are tribal
If it’s not religion, it’s their football team
Unable to use their intellects freely
They disobey the tenets of their own religions

Glenn Hughes said:
Caesar’s not who they thought he was
They elected a person who was in mental decline
Let’s plot a play that causes his downfall
He’s a danger to himself and to all
Kept in power by a small cabal




Dick Russell © Richard M Russell
                        2026

Briseis and the Imagists    Episode 9:  Glenn Hughes Re-Iterates A Work in Progress 155 We’re a group of actors, let’s not forget more than ...